Andalusian Stanzas Between Creativity Innovation and the Limitations of Tradition 'The Intertextuality of the Outputs as a Model

English Abstract:The great transformation of the literary criticism theories in the post-structuralist stage, especially intertextuality, is considered a new intellectual openness and an advanced cognitive Orientalism, which gave the reader a distinguished role, as he is no longer just a receiver or recipient, but rather has become a participant in the production of the text. His job is not confined to discovering the text, but rather to trying to rewrite it in the light of its cultural references, and to read it through its interrelated textual composition. Accordingly, this research worked on applying the concept of intertextuality to the study of the most important element in the Stanzas, which is (Al-Kharja), which Ibn Sana Al-Malik described as the as the spices of the Stanzas, its salt, its sugar, its musk and its ambergris, (noting that it is limited to the applied aspect of intertextuality without expanding on the theoretical treatment due to the large number of studies in it. And trying to focus on the main axis in standing on the creativity of the writer in the overlapping of linguistic and cultural levels in its alkharajat), so the kharajat of the Stanzas were classified according to a specific intertextual direction adopted by the study in its descriptive analytical approach, following the divisions of Ibn Sana Al-Malik for the types of kharajat "colloquial, foreign and standard Arabic "